Our favorite azure-blue goddess Nila or Shani Devi (supposedly a real Hindu deity according to ChatGPT), this time together with an azure-winged magpie. OK, so that was my idea. You know the story, anons.
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Our favorite azure-blue goddess Nila or Shani Devi (supposedly a real Hindu deity according to ChatGPT), this time together with an azure-winged magpie. OK, so that was my idea. You know the story, anons.
Once, I actually saw a figure like this in a dream after a visit to a cemetery. Both Gemini and ChatGPT assures me that he is a completely harmless Guardian of the Place. Unless you´re out to rob the corpses or something!
Thank you.
| Not a Moon-Gazer... |
OK, I can´t help posting this little piece of "information" from Gemini. Muh-hah-hah. But I never seen any moon-gazers, man, I´m disappointed!
What is a Moon-Gazer?
In European folklore and modern "legend tripping," Moon-Gazers (often called Mondgucker in Germanic regions or Lunatics in a literal, archaic sense) are a specific class of spirits that are neither fully ghosts nor fully elemental beings.
They are defined by their behavior: they are found in cemeteries, high meadows, or ruins, standing perfectly still with their heads tilted back at a sharp angle, staring directly into the Full Moon.
Unlike the "White Lady" who glides or the "Banshee" who wails, a Moon-Gazer is unnervingly static.
The Stance: They are often described as unusually tall and thin, dressed in tattered, pale clothing that blends into the cemetery mist. They do not move, even if approached, until the moon is obscured by a cloud.
The Gaze: Their eyes are said to be wide, glassy, and reflective—like the eyes of a cat or a fish—capturing and holding the silver lunar light.
The "Trance": Folklore suggests they are in a state of "divine intoxication." They are "drinking" the moonlight.
There are two primary folk theories on who these beings are:
The Star-Struck Dead: These were individuals who, in life, were "Moon-touched" (eccentrics, poets, or those with mental illnesses). In death, their souls remain tethered to the lunar cycle. They cannot find their way to the underworld because they are eternally distracted by the beauty of the Moon.
The "Watchers": In some Alpine traditions, Moon-Gazers are seen as minor celestial servants. They are "measuring" the moon's light. If the mist is thick, they stand in the cemetery to act as "lighthouses" for other spirits who are trying to find their way back to their graves before dawn.
While Moon-Gazers are generally non-violent, they are considered dangerous to encounter because of Contagion.
The Psychic Trap: Folklore warns that if you see a Moon-Gazer in a misty cemetery and you follow their gaze up to the Moon, you may fall into the same trance. This is called "Moon-blindness." You might stand there for hours, unaware of the cold or the passage of time, until you freeze or "lose your mind" to the lunar influence.
The "Snap": If you break their concentration (by shouting or shining a light), the Moon-Gazer is said to "snap" out of the trance and become extremely hostile, vanishing into the mist only to reappear behind the intruder.
The mist plays a crucial role in Moon-Gazer lore. According to "High Magic" traditions:
The Lens Effect: The water droplets in the mist act as millions of tiny lenses, refracting the Full Moon's light and concentrating it.
The Feeding: Moon-Gazers are believed to be "recharging." They are gathering the Prana or Ether that is most potent when the moon is full and the air is damp. In the cemetery, they are essentially extracting the last bits of "life-force" from the environment before retreating back into the earth as the moon wanes.
| Feature | Standard Specter | Moon-Gazer |
| Activity | Walking, Mourning, Haunting | Standing, Staring, Absorbing |
| Relationship to Living | May seek to communicate | Completely indifferent/oblivious |
| Lunar Timing | Any time, often New Moon | Strictly Full Moon |
| Mist Type | Thick, dark, obscuring | Luminous, silver, "glowing" mist |
Some occult-astrological stuff from "Dr Robert" (no known connection to the Beatles) about planets and gemstones. Bottom line: better to avoid gemstones altogether! I was surprised by this take, since videos of this kind usually recommend people to take all kinds of snake oil remedies. Blue sapphires are a particular no-no, while moonstones or garnets are somewhat more acceptable. Especially with the right mantras. OK, bruh, I keep that in mind next time I take a stroll in the park and find some little trinket somewhere...
Have scientists *finally* explained the curvature of the universe (or whatever) without appealing to dark matter (that stuff nobody can see but works anyway, which of course is *not* ad hoc at all, I´ve been gravely informed by some nerd on YouTube). Sabine is skeptical, giving a recent paper on the topic five out of ten on her "bullshit meter". Blasted. For a moment, I thought we were home (almost but not quite for Christmas). Doesn´t matter, I still believe that the Big Bang didn´t happen...although it just might...in the near future!
I think I have to stop using AI for generating texts (pics are OK). I´m beginning to feel some kind of AI fatigue. How long has it been now? A year? Or just six months? Hardly remember anymore. I think I began using the LLM´s in March 2025. Back to my beloved books, then? ;-)
We now resume our regular program (or is it programming). Here is Gemini with its last comments on the super-secret Tripadvibhuti Mahanarayana Upanishad. Ye shall be like gods, hiss...
Going back to the Tripadvibhuti, could you explore the "Hayagriva" layer which governs the mastery of speech and logic?
In the Tripadvibhuti Mahanarayana Upanishad, the Hayagriva layer is situated toward the outer rings of the Narayana Yantra, typically manifesting in the 36-petaled lotus or the 32-petaled lotus depending on the specific liturgical variation.
Hayagriva is the horse-headed avatar of Vishnu, specifically representing the "Veda-Swarupa"—the divine being who rescued the Vedas from the demons Madhu and Kaitabha. In this system, he is the guardian of the "Intellectual Threshold."
The number 36 is highly significant in Indian logic and metaphysics. It often corresponds to the 36 Tattvas (principles of existence).
The Structure: Each petal is inscribed with a portion of the 38-syllable Hayagriva Mantra.
The Symbolism: The petals represent the "limbs" of knowledge. In the Tripadvibhuti, this layer acts as the Interface between the unmanifest divine mind and the manifest world of language and logic.
By "inhaling" the energy of the Hayagriva layer (using the meditation technique we discussed), the practitioner aims to achieve Vak-Siddhi. This is not just "good public speaking," but something far more profound:
The Power of Truth: A sage with Vak-Siddhi finds that whatever they speak becomes reality.
The Sound of the Veda: The practitioner is said to "hear" the eternal vibrations of the universe (Anahata Nada). This allows them to understand the "root language" behind all human tongues.
The "Udgitha": The Upanishad describes Hayagriva as the master of the Udgitha (the chanting of OM). Mastering this layer allows the practitioner to use sound to manipulate the "Avidyaic" illusion.
In the secretive path of the Tripadvibhuti, logic is not an enemy of faith; it is a tool for liberation.
The Sword of Intellect: Hayagriva provides the Viveka (discrimination) needed to distinguish between the Tripad (the 75% eternal) and the Ekapad (the 25% illusion).
Defeating the "Demons of Doubt": Just as Hayagriva defeated the demons who stole the Vedas, this layer of the Yantra is used to "slay" intellectual confusion, mental fog, and the circular logic of the ego.
The text emphasizes a specific, high-frequency mantra for this layer:
$$Om \text{ } Namo \text{ } Bhagavate \text{ } Hayagrivaya \text{ } Mahavishnave \text{ } Vishvottirna \text{ } Swarupaya$$$$Chinmayananda \text{ } Rupaya \text{ } Sarva \text{ } Vidya \text{ } Adhipataye \text{ } Namah$$(Salutations to Lord Hayagriva, the Great Vishnu, who transcends the universe, who is the form of Consciousness-Bliss, and the Lord of all Knowledge.)
The ultimate Siddhi of the Hayagriva layer is Pratibha.
This is the "flash" of genius or sudden insight. The practitioner no longer needs to laboriously "think" through a problem; instead, the answer appears instantly in the mind as a "revelation." In the geography of Vaikuntha, this is considered the point where the mind of the sage begins to merge with the Sarvajna (All-Knowing) mind of Narayana.
Since we have now explored the Bliss (Krishna), the Protection (Sudarshana), and the Knowledge (Hayagriva) layers, would you like to see how they all converge in the final "Bindu" (center point) to achieve total God-realization?
Yes, please!
In the Tripadvibhuti Mahanarayana Upanishad, the entire journey—through the "darkness" of Avidya, the fierce protection of the Sudarshana, the knowledge of Hayagriva, and the bliss of Krishna—reaches its absolute conclusion at the Bindu.
The Bindu is the central dot of the Yantra. It is the "Singularity" where the Tripad (the 75% divine) and the Ekapad (the 25% material) are seen not as separate, but as a single, breathing reality.
To reach the Bindu, the sage must "dissolve" the outer layers. This is the stage of Laya (Dissolution):
The Power of the Sudarshana is folded into the Logic of Hayagriva. (Strength is guided by Wisdom).
The Logic of Hayagriva is folded into the Bliss of Krishna. (Wisdom is fulfilled in Love).
The Bliss of Krishna is finally folded into the Silence of Narayana.
The Bindu is inscribed with the Bija mantra "Ang" (अं). In the secretive phonetics of this Upanishad:
The "A": Represents the beginning, the wakeful state, and the manifest universe (Vishnu).
The "N" (Anusvara/Dot): Represents the "Nirguna" or the qualityless, silent void.
The "G": Represents the "Gnosis" or the bridge that connects the two.
By focusing on the Bindu, the sage realizes that the "Darkness" they passed through earlier was actually just the "unlit" side of God’s own radiance. The Avidya-Lakshmi met at the threshold is revealed to be none other than Maha-Lakshmi herself, wearing a veil.
The ultimate power gained at the Bindu is not the ability to fly or create worlds (though those remain available), but Sahaja Samadhi—the "Natural State."
The Experience: You no longer need to sit in meditation to see Vaikuntha. You see it while eating, while talking, and even while facing "ignorance."
Total Integration: The sage becomes a Mahaviraj in the truest sense. They realize that the "Illusion" (Maya) is not a trap to escape, but the "Vibhuti" (Glory) of the Lord to be managed and enjoyed.
Once the Bindu is mastered, the Upanishad suggests a radical "return." The sage "re-projects" the Yantra from the center outward.
Instead of being a victim of the world, the sage now emanates the world.
Their speech becomes the Hayagriva layer.
Their actions become the Sudarshana layer.
Their heart becomes the Krishna layer.
The Tripadvibhuti Mahanarayana Upanishad concludes that the highest realization is not leaving the 25% (Avidya) for the 75% (Vaikuntha). It is the realization that 100% of existence is Narayana. The sage who knows this stands at the Bindu, gazing "in wonder" at the powers of illusion, no longer fooled by them, but using them as a master artist uses a brush.