| Credit: Frank Vassen |
The midterm elections probably won´t be pretty, let´s put it that way...
Voting Rights Act Supreme Court victory gets GOP giddy over saving midterms
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| Credit: Frank Vassen |
The midterm elections probably won´t be pretty, let´s put it that way...
Voting Rights Act Supreme Court victory gets GOP giddy over saving midterms
The Why Files take on the ever-evolving legends about the Count of Saint Germain, a mysterious French character who officially died in 1784. I admit that some of the content in this video was new even to me! Apparently, there is a "tradition" in Lousiana that Saint Germain was a vampire and lived in the state for a number of years. Another tall tale claims that he was taken prisoner by German soldiers during the First World War and predicted Hitler´s rise and fall. As late as the 1970´s, some stage magician in France claimed to *be* Saint Germain.
All the standard legends about the Count are of course also incuded in the video, such as the claim that he persuaded the Founding Fathers to sign the Declaration of Independence, or that Voltaire un-ironically called him "the man who never dies". The Why Files also briefly mention Guy Ballard and the Mighty I AM Activity, the American New Religious Movement which treats Saint Germain almost as a god.
There is no doubt that the Count of Saint Germain was a real person, although nothing for certain is known about his origins. The "count" was probably an Italian adventurer and con man who claimed to be an alchemist. At some point, he had overstayed his welcome at the French royal court and had to make a run for it to Schleswig-Holstein, where he is also buried. As a good Scandinavian, I couldn´t help noticing that the Why Files refer to the Count´s final residence as "Germany". Not wrong, but at the time Schleswig-Holstein was in union with Denmark!
For whatever reason, this colorful character was turned into a semi-divine being by 19th century Theosophists ("Master Rakoczi") and 20th century Theosophy-inspired groups ("Ascended Master Saint Germain"). But that´s another show, as they say.
| - I wonder how "Cajun fries" taste like? |
Trump has appointed some picayune state governor as his "special envoy for Greenland" blah blah. In other words, the current US administration continues its provocations against *America´s own allies*. Can the Democrats please take a time-out from defending transvestism and instead attend to the transatlantic link? Or the real Republicans? Or anyone?!
Or do we have to send the French Foreign Legion to Greenland?
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| Credit: Ton Rulkens |
So I asked the robot to comment this week´s strangest news item. Yes, that would be Trump´s proud announcement that the Coca Cola Company (at the God-Emperor´s prodding, mind you) will stop sweeten Coke Classic with corn syrup, instead using real sugar from sugarcane. Eh?
Sugarcane is grown in the southern states, where many people support Trump. But...what about immigrant labor at the sugarcane plantations? And what´s up with the corn syrup situation anyway? My guess is that RFK Jr and his "MAHA" movement may be behind this, since I assume they oppose said syrup.
However, more sugarcane production will presumably also make it necessary to import more cheap labor from Mexico and Central America. Unless the MAHA-ites want to lift and then volunteer their working class muscle down at the latifundia...
Do sugar cane plantations in the South use labor from Mexico?
Yes, many sugarcane farms in the U.S. South—especially in states like Florida and Louisiana—do use labor from Mexico, but the situation is more nuanced and varies by region and employer.
A significant portion of seasonal sugarcane workers in the South are Mexican nationals.
Many are brought to the U.S. through the H-2A visa program, which allows agricultural employers to hire foreign workers temporarily when there are not enough local laborers.
These workers typically perform manual cutting, planting, weeding, and harvesting, especially in Louisiana, which still relies partly on hand-harvested cane.
In Florida, sugarcane harvesting is now largely mechanized—machines cut most of the cane.
However, Mexican and Central American workers are still employed in:
Planting
Field preparation
Maintenance
Milling operations
They often work under contracts with large companies (e.g., U.S. Sugar, Florida Crystals).
Louisiana relies more heavily on manual labor for certain stages of harvesting and field prep.
Mexican H-2A workers are widely used during the harvest season.
Labor shortages have made growers more dependent on foreign guest workers.
There have been ongoing debates around:
Pay levels and working conditions for H-2A workers.
Access to healthcare and housing during seasonal work.
Exploitation or legal gray areas with subcontractors or recruiters.
Several reports and labor watchdogs have raised concerns, particularly regarding wage disputes and unsafe working environments.
| Region | Labor Source | Mechanization | Use of Mexican Workers |
|---|---|---|---|
| Florida | Local + H-2A migrants | High (mechanized) | Yes, mostly for planting & prep |
| Louisiana | Local + H-2A (mostly Mexican) | Mixed (some hand harvest) | Yes, widely used |
| Texas | Less significant production | Mixed | Some use of migrant labor |
Would you like information on how the H-2A visa program works or data on the number of Mexican workers in agriculture more broadly?
Yes, there is significant criticism of high-fructose corn syrup (HFCS) from a range of consumer rights groups, health organizations, and nutrition advocates. The criticism centers on health concerns, labeling transparency, and industrial agricultural practices. Here's a breakdown:
HFCS has been linked—controversially—to the rise in obesity and type 2 diabetes in the U.S.
Groups like the Center for Science in the Public Interest (CSPI) and Public Health Advocacy Institute argue that HFCS contributes to overconsumption of sugar in processed foods and beverages.
Unlike glucose, fructose is metabolized primarily in the liver, which can lead to fat buildup and insulin resistance.
Some studies have associated high fructose intake with non-alcoholic fatty liver disease (NAFLD) and elevated triglycerides.
Consumer health advocates argue HFCS provides no nutritional value beyond calories, and encourages the consumption of sugary, processed foods over whole foods.
HFCS often appears under different names like “corn sugar”, which can confuse consumers.
In 2012, the FDA rejected a petition by the corn industry to rename HFCS as “corn sugar,” citing misleading labeling.
Critics claim food labeling lacks clear distinctions between cane/beet sugar and corn syrup, which undermines informed consumer choice.
HFCS depends on large-scale corn monoculture, which requires:
Heavy fertilizer and pesticide use
Government subsidies (taxpayer-funded support of corn)
Environmental groups (like the Environmental Working Group) criticize this model for contributing to:
Soil degradation
Water pollution (from nitrogen runoff)
Reduced biodiversity
Starting in the late 2000s, there was a consumer backlash against HFCS.
Many companies (e.g., Snapple, Heinz ketchup, Gatorade) began marketing products with labels like “no high-fructose corn syrup.”
Some health-conscious consumers see HFCS as a marker of “ultra-processed” or low-quality food.
Major health organizations like the American Medical Association (AMA) and FDA have stated that HFCS and table sugar (sucrose) are nutritionally similar when consumed in moderation.
However, they also acknowledge excessive sugar intake of any kind is unhealthy.
🟨 So while HFCS may not be uniquely toxic, critics argue that it encourages overconsumption due to its low cost and prevalence in processed foods.
| Area | Concern |
|---|---|
| Health | Links to obesity, diabetes, liver problems |
| Labeling | Lack of transparency, misleading names |
| Environment | Industrial corn farming harms ecosystems |
| Consumer rights | Reduced choice, hard-to-avoid in processed foods |
| Economics | Subsidized production distorts food markets |
Let me know if you’d like citations, major health studies, or a comparison between HFCS and cane sugar in how the body processes them.
I wonder if public schools in Louisiana will display *all* of the Ten Commandments? Including the part quoted below (Exodus 20:2-11)...
>>>
I am the Lord your God, who brought you out of the land of Egypt, out of the house of bondage.
You shall have no other gods before me.
You shall not make for yourself a graven image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth; you shall not bow down to them or serve them; for I the Lord your God am a jealous God, visiting the iniquity of the fathers upon the children to the third and the fourth generation of those who hate me, but showing steadfast love to thousands of those who love me and keep my commandments.
You shall not take the name of the Lord your God in vain; for the Lord will not hold him guiltless who takes his name in vain.
Remember the sabbath day, to keep it holy. Six days you shall labor, and do all your work; but the seventh day is a sabbath to the Lord your God; in it you shall not do any work, you, or your son, or your daughter, your manservant, or your maidservant, or your cattle, or the sojourner who is within your gates; for in six days the Lord made heaven and earth, the sea, and all that is in them, and rested the seventh day; therefore the Lord blessed the sabbath day and hallowed it.
>>>
“The Lost Leonardo” is a 2021 documentary about the drama around the painting “Salvator Mundi”, believed by some to be the work of famous Renaissance artist Leonardo da Vinci. The story is complex and frankly hard to believe sometimes.
After being
lost for centuries, “Salvator Mundi” resurfaced in 2005 at an auction in New Orleans
(of all places), where it was bought for about 1,100 dollars by two US art
collectors. If I understand the “plot” correctly, they later managed to sell
the painting for 83 million dollars! This was after the London National Gallery
had claimed that the painting (which they exhibited) was indeed an authentic
Leonardo. The artwork was originally heavily overpainted and badly damaged, but
was restored by Dianne Modestini, an expert on such things. It´s this restored
version that was shown in London and subsequently brought in the 83
million. Skeptics refuse to believe it´s real, and mockingly call the painting “a
masterpiece by Dianne Modestini”, charging that she added so much to the
original composition that it can´t be considered an independent work anymore.
And how do we know Leonardo made it anyway?
The
subsequent odyssey of “the savior of the world” is even more bizarre. Or maybe
not, if the shadowy and opaque character of the international art trade is held
in mind. The 83 million dollar affair was made by a Swiss art dealer, Yves Bouvier,
on behalf of super-rich Russian oligarch Dmitry Rybolovlev. The latter subsequently
accused Bouvier of tricking him into buying the painting for 140 million
dollars and pocketing the difference. While the oligarch may be a genuine art fancier,
there is also a more pragmatic reason for his art deals (and that of many other
rich people). Art is a good way to “store wealth” and move it around without
the tax authorities (or Putin?) ever noticing. This is made possible by the
so-called freeport system. In Switzerland, none other than the tricksy Bouvier
owned huge freeports, in which art and other investment objects could be de
facto hidden away. Even sales and purchases of said art can be made at the freeport
facilities without governments being able to track the deals. (Of course, the
governments have themselves to blame: what stops them from cracking down on the
freeports? Exactly.)
When
Rybolovlev realized that Bouvier had scammed him out of a billion dollars during
various art deals (at least if you believe Mr R´s version of events), the Russian oligarch
decided to destroy the greedy Swiss freeport owner. Using all his connections
in the world of banking, finance and law, Rybolovlev managed to get Bouvier blacklisted,
denied bank loans, losing investments, and so on. In the docu, Bouvier claims
he lost everything (including ownership of the freeports). Perhaps to recover
his “losses”, the oligarch eventually sold all his art through a British
auction house (the auction took place in the US). It was at this auction that “Salvator
Mundi” was bought by a then unknown person for a staggering 450 million dollars
– the highest price ever paid for a painting. At this point, the CIA became
interested, perhaps fearing that the world´s largest money laundering operation
was unfolding right under their noses. They soon identified the buyer: a certain Saudi
prince. Somebody at the agency also leaked the information to the New York
Times! “Salvator Mundi” then vanished, and nobody knows where the painting is
today. The documentary speculates that the real buyer is Mohammed bin Salman
(MBS), Crown Prince of Saudi Arabia and that country´s effective ruler. “Salvator
Mundi” is supposedly stashed onboard his yacht.
But why
would MBS buy a frankly ugly painting attributed to Leonardo? Even apart from
the fact that it´s blasphemous according to Islam! The docu speculates that it
could be connected to Saudi “soft diplomacy”. In order to present a better face
to the world, Saudi Arabia wants to build a huge tourist facility and “cultural
center” at Al-Ula in the Hejaz. Perhaps the lost Leonardo will be exhibited
there? The Al-Ula business may also be connected to a huge Saudi purchase of
French military hardware…
There have
also been some weird shenanigans surrounding a 2019-2020 Leonardo exhibition at
the Louvre in France. It´s possible that “Salvator Mundi” was supposed to have
been exhibited there, in the same room as “Mona Lisa”, but for some reason the
unknown owner pulled back at the last moment. The Louvre bookstore by mistake
sold some copies of a book claiming that “Salvator Mundi” was authentic, but
the book was quickly pulled as well and all remaining copies destroyed. Maybe
this book is now just as rare as real Leonardo paintings? The reason for the
panicky backtracking is unclear, but “The Lost Leonardo” wonders aloud whether the
Louvre labs at the last moment failed to authenticate the painting, prompting MBS
to withdraw his offer of exhibiting it.
As already mentioned, the makers of “The Lost Leonardo” don´t seem to believe that “Salvator Mundi” is the real deal, although it certainly was a lucrative one! Pesky art critic Jerry Saltz, who is something of a joker, is prominently featured, as are other skeptics. Personally, I have no opinion on the matter, opinionated or otherwise, but the documentary is interesting in its own right, giving a sneak peek into the demimonde of tax havens and the super-rich. According to the all-knowing site Wikipedia, the elusive Leonardo (or is it Modestini) should really have been exhibited at the Louvre Abu Dhabi, a joint French-United Arab Emirates project. Let´s be honest: since nobody outside the art world (and hardly even there, it seems) really gives a damn whether it´s fake or not, the UAE probably wouldn´t lose any cred by actually exhibiting it. Real or not, “Salvator Mundi” is probably just as well known as “Mona Lisa” (and "The Da Vinci Code") at this point!
Another link to Karl Shuker´s crypto-zoology website, this time about supposed observations of giant spiders. And I do mean huge - the size of a dinner plate, a chihuahua or...even larger.
Of course, we all "know" that such creatures are impossible in Earth´s present atmosphere, since spiders (and insects) breath through trachea, which imposes absolute physiological limitations on their size.
OR SO WE ASSUMED UNTIL KARL SHUKER DID MORE RESEARCH ON THE MATTER!!!
It turns out that one oversized arthropod, the coconut crab (a crustacean) has evolved a novel organ for breathing, since it lives exclusively on land.
So why not spiders?
My arachnophobia just got worse. Let´s hope all the reports detailed in the linked blog post below are drunken tall tales or misidentified frying pans, chihuahuas or coconut crabs...